Free Ebook Everyone Leaves, by Wendy Guerra Achy Obejas
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Everyone Leaves, by Wendy Guerra Achy Obejas
Free Ebook Everyone Leaves, by Wendy Guerra Achy Obejas
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Amazon.com Review
A Q&A with Wendy Guerra Question: What inspired you to write Everyone Leaves? Wendy Guerra: My parents' deaths, both in 2004, and the disappearance of a generation that is dying much sooner than its predecessors. The rediscovery of my childhood diary and the need to tell my life story through a girl in this fictitious socialist reality. I'd never known a book that spoke about life under socialism in a child's voice. In my childhood, Cuba was a place where parents had no say about whether you handled firearms at 13, or if you went to school by yourself in the countryside, or whether you aspired to university studies. Parents didn't control their children's destinies. So I decided to graft a story on this non-reality in a place that isn't what it seems, about a diaspora that every generation has had to deal with in its own way. Everyone Leaves is my exorcism from childhood and from my "inxile." Q: Your narrator, Nieve, would be roughly the same age as you are today. Do you have anything in common? WG: I used my own real diary as the spine for this novel, working in other stories in a kind of Aristotelian weave. I choose my own memories of what happened during that time. They were very tough times of silence and farewells. When I reread my diary, I decided to lower the heat a little bit, to be a little less judgmental than I'd been as a girl. Kids are usually sharper than any politician. They can tell what's going on and judge from a very honest perspective. Q: Do you still keep a personal diary? If so, does it provide content for your fiction? WG: Usually I write in my diary every day and then revise it, go over it with a more critical and literary rigor. Later, it becomes a novel. Q: Why did you decide to write about Cuba? WG: For me, what's important is that Cuba's story be told. Our lives--which have been lived in isolation, put on hold for 50 years, displaced from the markets, and incubated without capitalist references--are as complex as magic. Q: What other books would you recommend to Amazon customers who are interested in Cuban life and history? WG: No one can understand Cuba without reading Virgilio Piñera. And it's impossible to understand the sounds of Cuba without knowing the work of Nicolás Guillén.
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From Booklist
The political and the personal come together—and both prove surprising—in this prize-winning novel based on the author’s diaries about growing up during and after the Cuban revolution. Translated from the Spanish, the entries (from 1978, when Nieve is seven years old, to 1990) are true to the young protagonist’s often bewildered viewpoint as she tries to sort through the adults’ mixed messages. Of course, “everyone leaves†who was part of the privileged old system but, later, so do many disappointed revolutionaries. Meanwhile, the regime is watching Nieve’s radical artist mother, who shouts at the government demonstration: “This is not what the revolution is about.†Never preachy, the commentary captures the monotony, isolation, and machismo—and the hard times—of life in the new Cuba. Moved to a government boarding school, Nieve tries to learn the rules: good table manners, for example, are bourgeois. She does have great sex, and she loves writing about it. But she hates military training: forget killing for the good of the nation. The novel, winner of the 2006 Bruguera Prize and translated into eight languages, tells a gripping story of wry contradictions and confusion. --Hazel Rochman
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Product details
Paperback: 254 pages
Publisher: AmazonCrossing (November 27, 2012)
Language: English
ISBN-10: 1612184332
ISBN-13: 978-1612184333
Product Dimensions:
5.5 x 1 x 8.8 inches
Shipping Weight: 13.9 ounces
Average Customer Review:
3.7 out of 5 stars
49 customer reviews
Amazon Best Sellers Rank:
#927,667 in Books (See Top 100 in Books)
In the diaries of a child into womanhood, I felt compassion and was pleased she could find comfort in writing. Later her choices seemed lacking in backbone that I really wanted her to have. I felt anger toward those who should have helped, but didn't. Of course, I really know nothing about the circumstances under which she lived. The diary certainly gives the reader the view into a world different from what most of the readers see and live. The reader must have an open mind and willingness to see beyond the surface of her life. This is a fairly quick read and worth the time as a Kindle choice from Amazon.
Wendy Guerra remains in the shadows in Cuba; as Cuba reveals itself, I hope she will become more visible, recognized in her country, and practiced in her story-telling. Her diary, the kernel of this "coming of age" story, foreshadows many more detailed vignettes of life as it has been. She is a fine observer, fluid, understated, direct. She should be ready to pour out narrative; she and Cuba on a matched trajectory, the right woman in the right time. This book is just the pre-quel.
Written as a series of diary entries by a young girl - over a period of time. Very depressing in it's depiction of Castro's Cuba and the sociological impact of some of their decrees. A very dysfunctional family, not helped by -in my opinion - a very dysfunctional system of government. That said - I don't know if it would be any better in the USA.
Basically this is a very intriguing story of a young girl living in restrictive deprivation in Cuba. The main character is appealing and the story is written. My attention wandered during pages of rambling from Antonio's farewell letter and the ending, while touching, was unclear and seemed rushed.
Everyone Leaves traces the Cuban revolution through the eyes of a young woman growing up in Cuba as part of the government-persecuted literati and arts community. She tells her tale through journal entries so beautifully expressed and often poignant that the book quickly becomes a page-turner. I found myself highlighting a number of passages simply because of how well they were crafted.
This book does give a snapshot of what life is like in Cuba. There are a number of poignant anecdotes, a strange combination of love and hate for this troubled island. I did not find the writing, however, to be as poetic or captivating as I expected. My guess is that some of the poetry is lost in translation.
The voice is beautiful, and I love how readers follow the young protagonist as she discovers and uncovers her worlds. The descriptions of life in Cuba, especially the Havana entries, are haunting, and leave a sense of melancholy not easily forgotten.
She's just a really great writer. Wish there were more of her novels translated into English.
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