PDF Ebook Dancing Throughout Mexican History (1325-1910), by Sanjuanita MartÃnez-Hunter Gabriela Mendoza-GarcÃa
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Dancing Throughout Mexican History (1325-1910), by Sanjuanita MartÃnez-Hunter Gabriela Mendoza-GarcÃa
PDF Ebook Dancing Throughout Mexican History (1325-1910), by Sanjuanita MartÃnez-Hunter Gabriela Mendoza-GarcÃa
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Review
"This book is a scholarly and substantiated inquiry into the relationship between Mexican history and Mexican dance, easily readable, with fascinating and documented statements on every page."--Ron Houston, Society of Folk Dance Historians
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About the Author
Sanjuanita MartÃnez-Hunter earned her bachelor's, master's, and doctoral degrees in Dance from Texas Woman’s University. A life-long educator, MartÃnez-Hunter began her career teaching physical education at Lamar Junior High School in Laredo, Texas and then at the American School Foundation in Monterrey, Nuevo León, Mexico. At these institutions she directed the dance teams known as the Lamar Prancers and the Monterrey Darlings while teaching at her own dance studio. Then, she taught at the University of Texas at Austin (UT) as a Dance faculty for over twenty years where she inspired countless students. Here, she was the faculty sponsor for many dance organizations such as the UT High Steppers and El Grupo de Danza y Arte Folklorico de la Universidad de Tejas en Austin also known as the UT Ballet Folklorico. During the politically tumultuous 1970s, MartÃnez-Hunter was relentless in fighting administration for the acceptance of the UT Ballet Folklorico as a student organization within the Recreational Sports Division. Founding student members of this organization include: Roy Lozano and Michael Carmona. Roy Lozano would go on to dance with the Ballet Folklórico de México de Amalia Hernández and then start his own professional dance company in Austin, Texas called Roy Lozano’s Ballet Folklorico de Tejas. Michael Carmona would direct the UT Ballet Folklorico for many, many years. This writing represents her doctoral dissertation which was completed in 1984 and is entitled The Development of Dance in Mexico (1325-1910). Throughout her life, MartÃnez-Hunter longed to see her research in print so that it could reach a wider audience. After her death, her niece Gabriela Mendoza-GarcÃa edited this manuscript as a way of commemorating her life’s work.
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Product details
Paperback: 138 pages
Publisher: Mexico Lindo Press (September 21, 2018)
Language: English
ISBN-10: 0692099662
ISBN-13: 978-0692099667
Product Dimensions:
6 x 0.3 x 9 inches
Shipping Weight: 9.3 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#733,094 in Books (See Top 100 in Books)
Magnificent historical document for all readers interested in Mexican dance history.
The book is an amazing description of the different areas of folklorico dancing and how it has developed over time in history. Easy to read and understand. I love it!
This book is a scholarly and substantiated inquiry into the relationship between Mexican history and Mexican dance, easily readable, with fascinating and documented statements on every page. Each chapter gives an era of Mexican history followed by the relationship between that era's events and its dances.Chapter 1 describes the pre-Columbian use of dance to prepare for or celebrate war or to acknowledge the indigenous pantheon.Chapter 2 describes the conquest and the usurpation of indigenous dance by Spanish missionaries to further Catholic dominion.Chapter 3 describes the Colonial importation of European and African music and dance into the New World and the exportation of dances such as sarabande and chaconne.Chapter 4 describes the Mexico of the dances that most people are familiar with, from 1810 to 1910. Religious dances became theater, and European dances such as waltz, schottische, and polka became the social bailes and jarabes of the people. (Those social dances, two generations later, became folk dances, used today to foster a Mexican national identity.)This is an unusual history of Mexico, with the constant undercurrent of the uses of dance to support a religious or plutocratic oligarchy. It provides a firm overview of Mexican dance history and a grounding for other Mexican dance books that describe specific dances. The late author was a highly respected dance educator, and this book began as her doctoral dissertation. The editor is a dance scholar whose doctoral dissertation discussed the history of the Jarabe TapatÃo and its historical context. This book is a tribute to both.
Arrived on time for a Christmas gift to a folklorico instructor. They loved it!!!
The best Mexican dance book ever.
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